2023.02.13

按鈕

趙俊毅:笙小協奏曲《流》

《流》"The Flow"  趙俊毅 Jun Yi Chow/作曲

節目名稱:《竽樂.笙響》演奏會 The Sheng sound's music recital

演出人員:笙/林亦輝 Yi Hui Lin、鋼琴/陳晴渝 Ching Yu Chen

地點:國家兩廳院演奏廳

演出時間:2022/10/30(日) 14:30

 

笙小協奏曲《流》的靈感來自於作者對「流」這一單詞的多種結合所帶來的含義及概念,其中包括了「流傳」、「流向」、「潮流」、「流行」及「匯流」等。

全曲並非由單一的音樂動機發展而成,而是猶如流水般,隨著音樂的流向不停地往前推進。在全曲任何材料缺一不可的情況,貫穿而成形成一幅大圖,敘述了笙這部樂器從傳統演變到當代的過程。

作品共有兩大段落,分別由24簧傳統笙以及36簧加鍵笙演奏。第一大段除了使用笙大量的傳統演奏技法,更多是通過笙結合技法的同時探索呈現出多種音樂織體的可能性,使整體音樂顯得更為抽象,猶如繪畫似的;第二大段除了多調性和聲色彩上以及多種炫技段落的對比之外,則是借鑒了多種音樂風格及技術來寫作,其中包括:手風琴及探戈風格、日本動漫影視音樂及爵士音樂等。

‘Sheng Concertino "The Flow"’ is inspired by the composer's various combinations of the meanings and concepts for the word "流" (liú), including "spread,” "flow direction," "trend," "popular," "confluence," etc. The piece is not developed from a single musical motive, but like flowing water, constantly advancing with the flow of the music. An expansive picture is constructed throughout the piece that describes the evolution of shēng writing from traditional to contemporary idioms.

 

The work consists of two sections that are played by a 24-reed traditional sheng and a 36-reed sheng respectively. In addition to using a large number of traditional performance techniques for the sheng, the first section explores the possibility of presenting a variety of musical textures through the combination of sheng techniques, like an abstract painting. In the second section, the music draws on various musical styles and technique, including: the playing of accordion and tango styles, Japanese animation music, film and television music and jazz music.

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